Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt II
Sources
- Semi-autograph
- Autograph of the piano part
- Manuscript of the orchestra part
- German edition
- First German edition
- Retouched impression of GE1
- Second German edition
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- English edition
- First English edition
- Revised impression of EE1
- Corrected impression of EE2
FED - Dubois copy
| Publisher: | Maurice Schlesinger |
| Date: | 1846-1848 |
| Plate number: | M.S.1940 |
| Title: | Second Concerto |
| Dedication: | Madame la Comtesse Delphine Potocka née de Komar |
A pupil's copy from a collection belonging to Camille O'Meara-Dubois. It contains numerous annotations in pencil performed by both Chopin and the owner of the collection, Miss O'Méara. They prove that the Concerto was carefully developed during lessons with Chopin.
Above all, the annotations encompass fingering (in bar 7, 23, 28, 44-45, 53, 73, 80) and corrections of printing errors (in bar 1 and 83). In addition, Chopin marked:
- performance of the first grace note of the group of grace notes in the R.H. simultaneously with the bass note in bars 7 and 9 and 26 and 75,
in bar 21, perhaps also in bar 90,- possible variant in bar 41 and 90 (?),
in bar 87.
| Original in: | Bibliothèque Nationale de France, Paris |
| Shelf-mark: | Rés. F.980 (I.6) |