Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt II
Sources
- Semi-autograph
- Autograph of the piano part
- Manuscript of the orchestra part
- German edition
- First German edition
- Retouched impression of GE1
- Second German edition
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- English edition
- First English edition
- Revised impression of EE1
- Corrected impression of EE2
Morch - Manuscript of the orchestra part
| Date: | X 1835 – II 1836 |
| Title: | Second Concerto |
| Dedication: | Madame la Comtesse Delphine Potocka née de Komar |
The parts of the orchestra instruments of ½A are not written by Chopin, hence they had to be copied from an earlier notation. According to us, it is [SI] – lost manuscript of the score of the Concerto, written probably at the beginning of 1830 – that is the most likely candidate in this case, according to us.
Chopin controlled Morch, although most probably randomly – in this movement of the Concerto there are no corrections written by his hand (see the characterization of Morch in the 1st movement).
Since the orchestral part of ½A has a marginal meaning at the time of determining the text of the solo part, we do not give here the transcript of Morch (the system presents the text of A) or a scan, since images of the entire ½A are given as the scan of the source of A.
| Original in: | Biblioteka Narodowa, Warsaw |
| Shelf-mark: | Mus. 215 Cim. |