b. 243-244
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text, we give a sign on the basis of FE (→EE), as these are the only sources, in which the asterisk is present at all (in GE1 the sign was also overlooked). Our alternative suggestion is an asterisk [] in a place in which it was added – probably by Chopin in the base text to EE – at the first appearance of this place (bars 55-56). category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , FE revisions |
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b. 244-245
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Same as in bars 56-57, Chopin most probably added three signs, while preparing the base text to EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of EE |
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b. 244
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Overlooked naturals before the octaves in the L.H. – see bar 56. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , EE inaccuracies , FE revisions |
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b. 245
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The chord with c2 is most probably a result of an oversight of the composer, which is confirmed by the added – probably by Chopin – in FE3 (→FE4). category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign |
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b. 249-253
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text we give the slur of FE (→EE), most probably faithfully reproducing the notation of [A]. The slur of GC (→GE) is undoubtedly inaccurate, same as in bars 61-65 – the recapitulation in the copy is marked in an abbreviated manner as repetition of the first section of Scherzo. category imprint: Differences between sources |