b. 253-257
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composition: Op. 35, Sonata in B♭ minor, Mvt II category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 253
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composition: Op. 35, Sonata in B♭ minor, Mvt II category imprint: Differences between sources |
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b. 254-256
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composition: Op. 35, Sonata in B♭ minor, Mvt II
..
The slurs, in bars 66 and 68 added in GC most probably by Chopin, due to the abbreviated notation of the recapitulation, are valid also here, in bars 254 and 256. Same as there, there were reproduced in GE, from which they were adopted in EE2. category imprint: Differences between sources; Corrections & alterations issues: EE revisions |
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b. 257-258
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composition: Op. 35, Sonata in B♭ minor, Mvt II category imprint: Differences between sources issues: FE revisions , Hairpins denoting continuation |
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b. 259-260
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text we give a pedalling based on GC, in which we move the sign in bar 259, written by the copyist probably one quaver too early, to the 3rd beat of the bar, in accordance with the harmonic sense. According to us, the authenticity of the pedalling of EE cannot be excluded, which, as a result, can be considered to be equivalent. The oversight of the aforementioned in FE is a patent mistake, however, in the absence of sufficient premises, the place where it should be added cannot be indicated. Moreover, patent oversights of the engravers are the absence of the sign at the end of bar 260 in FE and the total absence of the pedalling in GE1, which, in GE2 was precisely corrected after GC. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Inaccuracies in GC |