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b. 17-18
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The category imprint: Interpretations within context; Differences between sources issues: EE inaccuracies , Authentic corrections of EE |
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b. 18-19
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The double use of the 1st finger at the end of the bars was indicated in FED probably by Chopin. category imprint: Differences between sources |
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b. 18
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC (→GE1) and FE there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Omission of current key accidentals , Errors of A , Last key signature sign , Errors of GC |
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b. 19-20
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The deletions of the top notes of the chords were written in FES most probably by Chopin or on the basis of his indications. It is most probably a facilitation for pianists with small hands, intended to be used at amateur performances. Due to this fact, we do not include this version in the main text. Similar entries are in bars 73-74 and 81-82.
In bar 19 in GE2mar (→GE2) and EE2 a cautionary category imprint: Differences between sources |
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b. 19
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In the main text we add cautionary flats before g category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |