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b. 23-30
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC the bars are marked as repetition of bars 15-22, which certainly corresponds to the notation of [A]. Only the 1st crotchet in bar 23 and the 2nd half of bar 30 are written out, which differ from their equivalents eight bars earlier. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 23
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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On the basis of analysis of all four analogous places – see bars 14-16 – in the main text we give slurs based on the version of FE and EE (FE5 does not include slurs here, which is a patent error). We suggest the slur at the transition between bars 22-23, which could have been added by Chopin in the base text to EE, in a variant form, in brackets. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Inaccuracies in FE , Corrections in A , Errors in GE , GE revisions , Inaccuracies in GC |
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b. 24
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The category imprint: Interpretations within context; Differences between sources issues: Scope of dynamic hairpins , Errors in GE , GE revisions |
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b. 24
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC, same as in bar 16 (bar 24 is only marked as its repetition), the end of the slur can be interpreted twofold. In the main text we give a more likely, conventional interpretation of this detail, present in all editions (except for FE5, in which the slur in bars 23-24 was entirely overlooked). category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE |
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b. 24
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composition: Op. 35, Sonata in B♭ minor, Mvt III category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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