mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt III

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b. 25-26

composition: Op. 35, Sonata in B♭ minor, Mvt III

No signs in GC (→GE) & FE

 & accent in EE

  suggested by the editors
..

category imprint: Interpretations within context; Differences between sources

issues: EE inaccuracies , Authentic corrections of EE

b. 26

composition: Op. 35, Sonata in B♭ minor, Mvt III

..

Same as in bar 18, in GC (→GE1) and FE there is no  raising g2 to g2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Omission of current key accidentals

b. 27-28

composition: Op. 35, Sonata in B♭ minor, Mvt III

a1 & f1 in chords in GC (→GE1) & FE (→EE1)

a1 (with cautionary ) & f1 in GE2mar (→GE2) & EE2

No a1 & f1 implicitly in FES
..

The version without the top notes of the chords, marked in FES in the three remaining analogous places (bars 19-20, 73-74 and 81-82) was certainly meant to be used also here. Therefore, we give a corresponding variant, subject to amateur performances only.

category imprint: Interpretations within context

b. 28

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FES

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 28-29

composition: Op. 35, Sonata in B♭ minor, Mvt III

Accent on G in GC (→GE) & FE

Four accents in EE

Our variant suggestion
..

In all sources there is an accent under G, whereas the three subsequent accents under F, D and B1 were probably added by Chopin in the base text to EE. In the main text we include them in a variant form. A similar measure was introduced in EE in Scherzo, bars 56-57 and analog.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of EE