Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 35, Sonata in B♭ minor, Mvt IV
Sources
- Gutmann's Copy
- Autograph fragment of Finale
- French edition
- First French edition
- Second impression of FE
- Third impression of FE
- Fourth impression of FE
- Scherbatoff Copy
- Stirling copy
- Dubois copy
- Second French edition
- German edition
- First German edition
- Corrected impression of GE
- English edition
- First English edition
- Revised impression of EE
EE2 - Revised impression of EE
| Publisher: | Wessel & Co. |
| Date: | ca 1856-1860 |
| Plate number: | W & Co.No. 3549. |
| Title: | Sonate || Finale |
| Dedication: | None |
A later impression of EE1, in which in the entire Sonata a number of changes was introduced, e.g., on the basis of GE1 and FE4. In this movement, an addition which was certainly drawn from GE are the 
hairpin in bars 13-14. The most significant arbitrary change, introduced only in this edition, is the addition of naturals raising g
(1) to g(1) in bars 35-37. The remaining additions of accidentals concern obvious situations or cautionary signs, e.g.:
- naturals before the 10th quaver (d1(2)) in bar 12;
- cautionary flats at the beginning of bar 35;
- cautionary naturals before c(1) in bar 59.
The copy presented in mUltimate Chopin comes from a later (ca 1868) impression, endorsed already by Wessel's successor, the Ashdown & Parry company – see the 1st mov. of the Sonata.
| Original in: | Royal Academy of Music, Library, London |
| Shelf-mark: | Reserve 51 Chopin |