Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 1

composition: Op. 35, Sonata in B♭ minor, Mvt IV

in GC (→GE) & EE2

No title in FE (→EE1)

..

While writing to Fontana in August 1839, Chopin described this movement of the Sonata as "a short finale." The omission of the convention "Finale" title in FE (→EE1) seems to be, therefore, a common oversight.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE

b. 1

composition: Op. 35, Sonata in B♭ minor, Mvt IV

sotto voce e legato in GC (→GE) & FE (→EE)

 & slur in Afin

..

Chopin wrote the same idea differently while preparing the Sonata for print and while writing an occasional autograph gift fragment of the finale. The version of Afin, although later, can be considered only trivia.

category imprint: Differences between sources

issues: Authentic post-publication changes and variants

b. 1-12

composition: Op. 35, Sonata in B♭ minor, Mvt IV

..

The non-separated slur of Afin corresponds to the legato indication in the printed version.

category imprint: Differences between sources

issues: Authentic post-publication changes and variants

b. 1-2

composition: Op. 35, Sonata in B♭ minor, Mvt IV

..

The second halves of the bars are written in Afin in an abbreviated manner as repetition of the first ones.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 2

composition: Op. 35, Sonata in B♭ minor, Mvt IV

..

GC has a as the last quaver in the L.H. GE corrected this mistake, probably on the basis of comparison with the 1st half of the bar.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Errors of GC