Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 35, Sonata in B♭ minor, Mvt IV
Sources
- Gutmann's Copy
- Autograph fragment of Finale
- French edition
- First French edition
- Second impression of FE
- Third impression of FE
- Fourth impression of FE
- Scherbatoff Copy
- Stirling copy
- Dubois copy
- Second French edition
- German edition
- First German edition
- Corrected impression of GE
- English edition
- First English edition
- Revised impression of EE
EE1 - First English edition
| Publisher: | Wessel & Co. |
| Date: | VI 1840 |
| Plate number: | W & Co.No. 3549. |
| Title: | Sonate || Finale |
| Dedication: | None |
EE1 is based on a copy of FE2 with annotations (proofreading) by Chopin, it also bears clear traces of editorial revision (see the 1st mov. of the Sonata). Among the changes introduced in EE1 with respect to FE2, it is the removal of two additional bars from between bars 46 and 47 that is the most important, performed undoubtedly by Chopin. In addition, a few accidentals were added, which – not excluding a possible intervention of the composer – may be, however, ascribed to revisers:
- cautionary naturals before c1(2) in bar 9;
-
flats restoring g
(1) in bar 51; - naturals before the 8th quaver in bar 63.
In spite of Chopin proofreading and revision, not all mistakes and inaccuracies of EE1 were removed, e.g. no naturals before the 10th quaver in bar 12.
| Original in: | British Library, London |
| Shelf-mark: | h.472.f.(4.) |