Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 25 No 6, Etude in G♯ minor
Sources
- Fontana's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
GE3 - Revised impression of GE2
| Publisher: | Breitkopf & Härtel |
| Date: | 1856⇒ |
| Title: | Douze Etudes || 6me Etude |
| Dedication: | Madame la Comtesse d'Agoult |
In this Etude the most serious arbitrary intervention of the reviser of GE3 is the addition of sharps raising a1 to a
1 in the ending of bar 52 and a2 to a2 in bar 56. In addition, a cautionary 
was added before d2 at the beginning of bar 19.
The remaining changes are of a generally ordering character, organising the rhythmic notation:
- a semiquaver rest was added at the end of bar 30,
- in bar 59 crotchet rests were changed into pairs of quaver rests.
Other visible changes seem to be rather flaws of print – inaccurate reprint of some of the endings of slurs, fingering, articulation signs or accidentals, until a complete omission, e.g., a 
before the 8th semiquaver in bar 4, the 3rd semiquaver in bar 21 and the 2nd semiquaver in bar 59, wedge over the quaver in the R.H. in bar 22 or '5' over the first semiquaver in bar 47.
Dating of GE3 – see the Etude in A
major, No. 1.
| Original in: | Biblioteka Narodowa, Warsaw |
| Shelf-mark: | Mus.III.63.590/1 |