Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 25 No 6, Etude in G♯ minor
Sources
- Fontana's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
EE2 - Corrected reprint of EE1
| Publisher: | Wessel & Co. |
| Date: | ⇒1840 |
| Title: | Douze Etudes || No. 18 |
| Dedication: | None |
EE2 introduced numerous additions and changes:
- fingering drawn from FE was added, completing the indications written in the manuscripts to a significant extent;
- accidentals were completed, among others, in bar 4 and analog., 12, 33, 34, 47-48;
-
signs were added in bar 26, including an arbitrary
lowering e1 to e
1 in the 5th chord.
The copy presented in mUltimate Chopin comes from a later (1843) impression, in which the individual title page was replaced with a cover of the Wessel & Co's Complete Collection of the Compositions of Frederic Chopin series. EE2 was then reissued with subsequent versions of this collective cover (completed with subsequent Chopin's pieces published by Wessel) until ca. 1858, when certain modifications were performed also in the score (see the characteristics of EE3). EE2 also includes copies of this Etude published separately. All versions of EE2 with the collective cover, as well as these published separately, are devoid of an authentic dedication.
| Original in: | Royal Academy of Music, Library, London |
| Shelf-mark: | 4 Chopin 10 (3) |