b. 48
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composition: Op. 42, Waltz in A♭ major
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There is no c1 on the 2nd crotchet in FE0, probably due to a misinterpretation of the autograph. Chopin added this note in FEG (→GE) and in the base texts to FE and EE. category imprint: Differences between sources; Source & stylistic information issues: Uncertain notes on ledger lines |
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b. 48-56
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composition: Op. 42, Waltz in A♭ major
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In FE there is no pedalling in bars 48-51 (it is to be found only in bars 55-56). There is no reason to doubt the authenticity of the pedalling in EE even though it could result from Chopin's mistake—while preparing the basis for EE the composer has presumedly written the pedalling into bars 45-51 (the first line of text on the second page of FE and EE) mistaking them for bars 41-47. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 49
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composition: Op. 42, Waltz in A♭ major
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The d1-e1 second in FE is the original version – in FEG (→GE) Chopin added a g1 note to it. Also EE has a completed version with the d1-e1-g1 chord. Therefore, the fact of leaving the original version in FE seems to be Chopin's oversight. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of GE , Authentic corrections of EE |
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b. 55
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composition: Op. 42, Waltz in A♭ major
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category imprint: Differences between sources issues: Accidentals in different octaves , Cautionary accidentals |
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b. 57-88
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composition: Op. 42, Waltz in A♭ major
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The pedalling on this page of Waltz (in bars 57-71 and 87-88) is only in EE. There is no reason to doubt its authenticity. category imprint: Differences between sources issues: Authentic corrections of EE |