Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 3, Etude in E major
Sources
- Working autograph
- Autograph
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected impression of GE1
- Second German edition
- Third German edition
- Fourth German edition
- Fifth German edition
- English edition
- First English edition
- Corrected impression of EE2
- Revised impression of EE3
EE3 - Corrected impression of EE2
| Publisher: | Wessel & Co. |
| Date: | 1836-1837 |
| Title: | Douze Grandes Etudes || No. IV |
| Dedication: | ses amis J. Liszt et Ferd. Hiller |
Corrected impression of EE2 in which the majority of its defects were corrected, e.g., the overlooked pedalling in bar 42 and other performance indications were added (see the characteristics of EE2). Moreover, slurs and ties were completed, e.g. in bars 41, 52, 55-56 and 65-68.
EE3 was renewed on a number of occasions with different covers. In the presented copy, the cover includes the information on the already published Etudes Op. 25, thus it dates back at least to 1838. In even later copies provided only with the collective cover of the "Wessel & Co's Complete Collection of the Compositions of Frederick Chopin" series, the dedication is shortened – without "ses amis" and only with the initial of (F) Hiller.
| Original in: | Ewa and Jeremiusz Glensk collection, Poznań |
| Shelf-mark: | EJG 1715 |