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b. 113-114
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composition: Op. 29, Impromptu in A♭ major
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The accent in A is ambiguous. We assume that it is rather short (as in the editions), although its interpretation as long accent cannot be excluded. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 113-115
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composition: Op. 29, Impromptu in A♭ major
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In EE the pedal ending on the 2nd quaver in bar 115 starts already at the beginning of bar 113. In all other sources the pedal is only on the 1st crotchet in bar 115. In A at the beginning of bar 113 one can see a deletion of the category imprint: Differences between sources; Corrections & alterations |
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b. 114-115
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composition: Op. 29, Impromptu in A♭ major
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EE has additional crescendo hairpins here. category imprint: Differences between sources |
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b. 115
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composition: Op. 29, Impromptu in A♭ major
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The clear staccato dot in A was recreated in GE and EE. FE has a wedge, it cannot be excluded that such a sign could have been in the lost base text. In the editions we generally have a situation in which the wedges written by Chopin were most frequently interpreted as dots. category imprint: Differences between sources |
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b. 115
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composition: Op. 29, Impromptu in A♭ major
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A (→GE) and FE have the indication sotto voce. In A one can see that Chopin corrected the original indication – category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Deletions in A |
sign.
. Taking this into consideration, different indications in