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b. 111
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composition: Op. 29, Impromptu in A♭ major
..
A (→GE) and FE have the complete smorzando indication. In EE it was revised to the abbreviated smorz. form. In addition, in FE, contrary to the remaining sources, the indication was placed between the pentagrams. category imprint: Differences between sources |
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b. 111
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composition: Op. 29, Impromptu in A♭ major
..
category imprint: Differences between sources issues: Cautionary accidentals |
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b. 112
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composition: Op. 29, Impromptu in A♭ major
..
In EE an important crotchet stem on the 3rd quaver in the R.H. was overlooked. category imprint: Differences between sources |
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b. 112
|
composition: Op. 29, Impromptu in A♭ major
..
Differentiation in the manner of representation of staccato may stem from the ambiguous notation of the base texts and arbitrary editorial revisions in this respect. Chopin's wedges were much more often ignored by the editors and changed into dots; therefore, their presence in FE and EE may be a proof of the accurate notation of the lost manuscripts. It is very likely that the repetition of the wedge in the L.H. in EE is the engraver's error, introduced by analogy of rhythmic figures of both hands in that bar. category imprint: Differences between sources |
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b. 112-113
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composition: Op. 29, Impromptu in A♭ major
category imprint: Differences between sources |
