



b. 118
|
composition: Op. 29, Impromptu in A♭ major
..
A has a natural next to the 10th quaver in the L.H. written by a foreign hand. category imprint: Differences between sources; Editorial revisions issues: Foreign hand additions in manuscripts , Cautionary accidentals |
||||
b. 119
|
composition: Op. 29, Impromptu in A♭ major
..
GE and FE are lacking the indication sotto voce – it must be an oversight. The indication category imprint: Differences between sources |
||||
b. 119
|
composition: Op. 29, Impromptu in A♭ major
..
In EE the arpeggio in the R.H. was omitted. category imprint: Differences between sources |
||||
b. 119-120
|
composition: Op. 29, Impromptu in A♭ major
..
We add the E category imprint: Differences between sources; Editorial revisions |
||||
b. 119
|
composition: Op. 29, Impromptu in A♭ major
..
EE has an octave doubling of the c note in the L.H., which is very likely to be authentic. category imprint: Differences between sources |