



b. 112
|
composition: Op. 29, Impromptu in A♭ major
..
We interpret the ambiguous accent in A as short (as it is in the editions). We consider the long accent to be less probable. category imprint: Differences between sources issues: Long accents |
|||
b. 112
|
composition: Op. 29, Impromptu in A♭ major
..
In GE1, probably by analogy with previous bars, a crotchet stem was added to the 6th quaver by mistake. category imprint: Differences between sources issues: Errors in GE |
|||
b. 112
|
composition: Op. 29, Impromptu in A♭ major category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
|||
b. 112
|
composition: Op. 29, Impromptu in A♭ major
..
In A (→GE1) Chopin may have overlooked pedal marks – we place them after an analogous situation in bar 30. category imprint: Differences between sources; Editorial revisions |
|||
b. 112
|
composition: Op. 29, Impromptu in A♭ major
..
We add a cautionary flat next to d category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |