Issues : EE inaccuracies
b. 415-416
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composition: Op. 21, Concerto in F minor, Mvt III
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Three clearly long accents written in A were reproduced in GE1, without any apparent reason, in an explicitly varied manner. However, FE restored the notation of A, which could be seen as Chopin's proofreading. Both in EE and GE2 the Chopinesque long accents were reproduced as common short accents. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , GE revisions , EE inaccuracies , FE revisions |
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b. 430
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composition: Op. 16, Rondo in E♭ major
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In all sources, the slurs are to be deemed inaccurate. According to us, it should encompass all small quavers of the passage and the main note to which it leads. It is compliant with the convention of writing down such ornaments. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 443
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composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , EE inaccuracies |
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b. 443-444
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composition: Op. 31, Scherzo in B♭ minor
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Instead of a continuous slur for the bass motif, in EE there are two slurs converging on the dotted e minim. It is an inaccuracy, with no actual implications on the performance, which probably results from the fact that in FE b. 444 opens a new line of the text, and the slur in that bar, although it begins before the note, does not suggest continuation with its shape. category imprint: Differences between sources issues: EE inaccuracies |
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b. 445-446
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composition: Op. 39, Scherzo in C♯ minor
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In GC the slur extends as far as b. 445, which in this context must be considered inaccurate the same as in GE. This too long and imprecise slur may have occured already in [A1] as EE has a slur that results most probably from misinterpreting the composer's intention. In the main text we present slurring of FE and GE. category imprint: Differences between sources issues: GE revisions , EE inaccuracies , Inaccuracies in GC |