Issues : EE inaccuracies

b. 398-399

composition: Op. 11, Concerto in E minor, Mvt III

2 slurs from 2nd note in FE

Different slurs in GE1 (→GE2) & EE

2 slurs from first note in GE3

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Two subsequent slurs starting later than in the adjacent figures must be an inaccuracy of FE, partially repeated in GE1 (→GE2) and EE. In the main text, we move the beginnings of the slurs to over the 1st semiquaver, in accordance with the musical sense and analogous figures. Such a revision was introduced already in GE3.

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies

b. 400

composition: Op. 16, Rondo in E♭ major

No mark in FE (→EE1)

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The lack of staccato dot in FE (→EE1) must be regarded as an inaccuracy. The mark was added already by the revisers of GE and EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions , EE inaccuracies

b. 408

composition: Op. 11, Concerto in E minor, Mvt III

FE, literal reading

FE, contextual interpretation

FE, different interpretation

GE & EE

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When interpreted literally, the ambiguous, in terms of rhythmic values and division into parts, notation of FE may have a few possible versions. It is the interpretation based on a possible reconstruction of the notation of [A], rhythmically consistent, that we adopt as both the text of FE and the main text.

category imprint: Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 410-419

composition: Op. 21, Concerto in F minor, Mvt III

4 wedges in A

4 dots in GE

3 dots in FE

3 dots in EE

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In A, the staccato marks at the beginning of bars 410-411 and 418-419 (in the part of the R.H.) are clear wedges – cf. the dots in the part of the L.H. The editions reproduced them as dots (as in the entire Concerto); at the same time, EE overlooked the sign in bar 410, whereas FE – in bar 418 (added in EE). 

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies , Wedges

b. 412-435

composition: Op. 31, Scherzo in B♭ minor

7 longer, 5 shorter slurs in A

2 longer, 10 shorter slurs in FC

9 longer, 3 shorter slurs in FE

12 shorter slurs in GE

8 longer, 3 shorter slurs in EE

12 longer slurs suggested by the editors

..

In A the slurs over the motifs of the bottom voice encompass the quavers only or reach the minim in the next bar. However, the differences are almost certainly of an accidental nature, hence in the main text we unify them, assuming 6-note slurs to be more frequent in A (7 longer, 2 shorter and 3 questionable). Accidental inaccuracies are also present in the remaining sources, except for GE, in which all slurs encompass 5 notes. The majority of the doubts concerning the range of the slurs is due to the ending lines: a slur suggesting continuation is not finished in a new line (b. 418-419 in A and FC, 432-433 in A, 412-413, 420-421 and 428-429 in FE and b. 422-423 in EE). In such situations we give shorter slurs in our transcriptions, just like in b. 426-427 in A and 412-413 in 428-429 in FC, which may be thought to be dubious. EE omitted the slur in b. 420-421. Neither FC nor FE, EE and GE reproduced the notation of the Stichvorlage correctly; however, the total number of inaccuracies in this section is smaller than the first time (b. 310-333).

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Inaccuracies in FE , Errors in EE , Inaccurate slurs in A , GE revisions , EE inaccuracies , Inaccuracies in FC , Uncertain slur continuation