



b. 360
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composition: Op. 16, Rondo in E♭ major
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In FE, the slur begins on the first note, despite the fact that in the previous bar, ending the previous page, there is a slur started on the last quaver. Since the correctness of that slur does not raise doubts – after 7 quavers marked staccato, the last one was provided with a slur and not a dot – we assume that it is the beginning of the bar under discussion that is inaccurate. Taking into account that overlapping slurs occur quite frequently in the Rondo, e.g. in a similar situation in bars 219-220, we adopt such a solution as the text of FE. The amendment in GE may be regarded as an alternative version. The version in EE, which considered the slur in bar 359 to be erroneous and omitted it, is almost certainly arbitrary. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 360-368
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composition: Op. 16, Rondo in E♭ major
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In GE, category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 360
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composition: Op. 16, Rondo in E♭ major category imprint: Differences between sources issues: EE revisions |
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b. 360
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composition: Op. 11, Concerto in E minor, Mvt III
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The notation of accidentals in FE is inaccurate – naturals are missing before the first d1 and before d3 and g2 in the last triplet, whereas the superfluous category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals |
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b. 360
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composition: Op. 11, Concerto in E minor, Mvt III
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We suggest adding an accent on the 4th quaver in the bar on the basis of a comparison with analogous bar 368. Accentuating thirds gives passages a virtuoso touch and refers to the characteristic rhythm of krakowiak category imprint: Differences between sources; Editorial revisions issues: GE revisions |