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b. 359

composition: Op. 2, Variations, complete

B-b quaver in small script in A & FE

B-b quaver in regular script in AsI & GE (→EE,FESB)

..

As in bar 345, the engraver of GE (→EE,FESB) erroneously reproduced the B-b octave in a normal font, which requires it to be included in the solo part. Chopin restored the correct notation in FE.

category imprint: Differences between sources

issues: Errors in GE , Authentic corrections of FE

b. 359

composition: Op. 2, Variations, complete

No signs in sources

 suggested by the editors

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In the main text we suggest  hairpins under the L.H. motifs after three previous analogous bars 341, 345 and 355. Crescendos in such figures are one of the elements defining the shape of a motif, hence the absence of marks must be considered Chopin's oversight.

category imprint: Editorial revisions

b. 359-360

composition: (Op. 4), Sonata in C minor, Mvt IV

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In A there is no  to the 4th quaver in bar 359 (b2). It was added in GE (→FE,EE,IE). The cautionary  to b2 at the beginning of bar 360 is missing too (Chopin wrote a respective accidental to the 2nd L.H. quaver). This accidental was added only in EE2. In the main text we include both. On the other hand, we omit – as it was done in GE (→FE,EE,IE) – the  to c3, the 6th quaver in bar 360, unnecessarily repeated in A.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A

b. 360-364

composition: Op. 39, Scherzo in C♯ minor

No marks in EE

Accents in GC (→GE) & FE

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A poorer version of EE - without accents in bars 360, 362 and 364 - seems original.

category imprint: Differences between sources

issues: Long accents

b. 360

composition: Op. 21, Concerto in F minor, Mvt III

Long accent in A (→GE1FE)

..

The only long accent in this fragment correctly reproduced in GE1 (→FE) was changed to a short one in EE and GE2. The very idea of unifying the notation of accents in all analogous bars is accurate – all signs in A are the same – yet the accents in A are clearly long, which the reviser of EE could not know, whereas the reviser of GE2 did not consider it to be significant.

category imprint: Differences between sources

issues: EE revisions , GE revisions