



b. 359
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composition: Op. 2, Variations, complete
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As in bar 345, the engraver of GE (→EE,FESB) erroneously reproduced the B category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 359
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composition: Op. 2, Variations, complete
..
In the main text we suggest category imprint: Editorial revisions |
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b. 359-360
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A |
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b. 360-364
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composition: Op. 39, Scherzo in C♯ minor
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A poorer version of EE - without accents in bars 360, 362 and 364 - seems original. category imprint: Differences between sources issues: Long accents |
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b. 360
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composition: Op. 21, Concerto in F minor, Mvt III
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The only long accent in this fragment correctly reproduced in GE1 (→FE) was changed to a short one in EE and GE2. The very idea of unifying the notation of accents in all analogous bars is accurate – all signs in A are the same – yet the accents in A are clearly long, which the reviser of EE could not know, whereas the reviser of GE2 did not consider it to be significant. category imprint: Differences between sources issues: EE revisions , GE revisions |