



b. 355
|
composition: Op. 11, Concerto in E minor, Mvt III
..
The slur of FE (→EE, reproduced inaccurately in GE) almost certainly does not correspond to Chopin's intention – it is either a mistake of the engraver or a fault of [A]. In the main text, we prolong it so that it encompasses also the 1st half of the bar, yet one can assume that Chopin would have started the slur even earlier, i.e. in bar 354, if he had paid attention to this place. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE |
||||||
b. 355
|
composition: Op. 11, Concerto in E minor, Mvt III
..
There are no doubts that category imprint: Differences between sources; Editorial revisions issues: GE revisions , Centrally placed marks |
||||||
b. 355
|
composition: Op. 31, Scherzo in B♭ minor
..
Just like in b. 351, the sources present three versions of the placement of the category imprint: Differences between sources |
||||||
b. 355-356
|
composition: Op. 31, Scherzo in B♭ minor
..
The longer slur of FE (→EE) results from overinterpretation of the slur of A. The fact of GE1 having omitted the slur is an oversight, corrected in GE2 (→GE3). category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE , GE revisions |
||||||
b. 355
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A Chopin forgot to write a category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of A |