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b. 358-359
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In FE, the passage was probably reproduced strictly after [A] – it is missing naturals before the 4th, 9th, 11th and 12th semiquavers in bar 358, whereas in bar 359 accidentals are present only before the first two semiquavers. In the remaining editions, naturals were added – GE added all of them, while EE the majority of them (without the 4th and 9th notes in bar 358). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , Errors repeated in EE |
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b. 358
|
composition: Op. 31, Scherzo in B♭ minor
..
The indication is missing in FE (→EE), see b. 350. Moving category imprint: Differences between sources issues: GE revisions |
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b. 358
|
composition: Op. 31, Scherzo in B♭ minor
..
An erroneous interpretation of the Chopinesque category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions , fz – f |
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b. 358
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we add a cautionary category imprint: Editorial revisions |
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b. 359-366
|
composition: Op. 39, Scherzo in C♯ minor
..
In the main text we present - thanks to the range of a dashed line - a more accurate application of the marking from GC. In GE the dashed line was omitted and the abbreviated marking accel. was written out as acceler. category imprint: Differences between sources issues: GE revisions |
on 1st beat in 
as 
would frequently happen to the engravers of the first editions, see, e.g. the Sonata in B
Minor, Op. 35, I mov., 
to e
