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b. 558-560
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we give the notation of FE (→EE) with motivic slurs, combining pairs of lower middle notes of chords, d1-c1 and c1-b. However, one cannot exclude that the engraver of FE misinterpreted the notation of [A], in which those slurs were ties of the bottommost notes (b and a, respectively), like the upper ties of the topmost notes. Therefore, it would be the notation of GE that would correspond to Chopin's intention. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions |
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b. 558
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |
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b. 558-560
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composition: Op. 11, Concerto in E minor, Mvt I
..
In FE (→EE1), there are no cautionary naturals before c3 in bar 558 and a2 in bar 560. The accidentals were added in GE and EE2 (before a2) and EE3 (both). In turn, in all sources, there is a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 558
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composition: Op. 11, Concerto in E minor, Mvt I
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A comparison with two subsequent bars points to an inaccurate slur of the majority of the sources. In the main text, we include the correction of GE3. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions |
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b. 559
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: Errors in FE |
before c2 at the beginning of bar 559, which we omit in the main text.
