FE1
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
compare
  b. 355

under 2nd triplet in FE (→EE,GE1GE2)

​​​​​​​at beginning of bar in GE3

There are no doubts that  is in force already at the top of the passage. The placement of the marking in FE may be explained by its shape in [A] – it could have been so big that its right-hand end was already falling on the 2nd semiquaver triplet (cf. e.g. the ending of the Etude in C Minor, Op. 10 No. 12). Another possibility is a manner of writing indications within the range of their validity – cf. e.g. the end ​​​​​​​of the Etude in G​​​​​​​ Major, Op. 10 No. 5. An appropriate shift was performed already in GE3

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: GE revisions, Centrally placed marks

notation: Pitch

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Original in: Bibliothèque Nationale de France, Paris