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b. 555-558

composition: Op. 31, Scherzo in B♭ minor

2 slurs in A (→FE,FCGE)

No slurs in EE

..

The missing three-note R.H. slurs in b. 555-556 and 557-558 must be a mistake of EE. Generally, EE include a few slurring irregularities in this fragment that are difficult to explain; see also b. 557-560, 561-566.

category imprint: Differences between sources

issues: Errors in EE

b. 556

composition: Op. 39, Scherzo in C♯ minor

 in EE

GC and GE2

No markings in GE1

..

In the main text we present the GC and GE2 pedalling, the only sources where these marks are notated without mistakes or inaccuracies. 

category imprint: Differences between sources

issues: Inaccuracies in FE , Errors in GE , EE inaccuracies

b. 556

composition: Op. 11, Concerto in E minor, Mvt I

Rhythm in FE (→EE) & GE3

Rhythm in GE1 (→GE2)

..

In the version of GE1 (→GE2), the first 4 notes and rest constitute an unmarked semiquaver quintuplet. Nothing points to authenticity of that version, although it is practically very close to the actual performance – see the commentary to the Scherzo in C​​​​​​​ Minor, Op. 39, bar 47. The version of GE3 was probably introduced on the basis of analogy with similar bars of exposition. 

Like in bar 197, 199 and 201, in FE one can see traces of swapping rhythmic values of the 2nd and 3rd notes – initially, the 2nd note was a semiquaver, whereas the 3rd one – a demisemiquaver.  

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Errors in GE , GE revisions , Authentic corrections of FE , Inserted rest

b. 556-572

composition: Op. 11, Concerto in E minor, Mvt I

category imprint:

b. 556

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

..

Like in bar 552, the unobvious use of the 1st finger on a black key was marked in FEH

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH