|
b. 355
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A Chopin forgot to write a category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of A |
|||||
|
b. 356
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The version of GE1 (→FE1) is almost certainly a Terzverschreibung error, which was confirmed by the Chopinesque proofreading of FE2 (→EE) restoring the version of A. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions , Authentic corrections of FE , Errors repeated in FE |
|||||
|
b. 356
|
composition: Op. 21, Concerto in F minor, Mvt III
..
Omission of the category imprint: Differences between sources issues: Inaccuracies in GE |
|||||
|
b. 356-362
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The clearly long accents in A in bars 356, 358 and 362 were inaccurately reproduced in GE (→FE→EE) as short. Cf. bar 360. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
|||||
|
b. 356-359
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The rhythm of GE – quavers on the 3rd beat of each of these bars – is probably the original version, corrected by Chopin in FE (→EE). In the orchestral part, a corresponding correction must have been introduced still in the manuscripts, since in the parts of flutes, clarinet and bassoon, there are no indications of corrections of rhythm. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
to the first L.H. note (d
). The patent oversight (in this context) was corrected in 
in 
