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b. 340-341

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic L.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 341-342

composition: Op. 39, Scherzo in C♯ minor

..

In EE na GC there is no  augmenting a to a in b. 342, which is obvious inaccuracy given  in the LH part. In GC there is no appropriate  in b. 341. FE and GE are correct.

category imprint: Differences between sources; Source & stylistic information

issues: GE revisions , EE inaccuracies , Errors of GC

b. 341

composition: Op. 21, Concerto in F minor, Mvt I

No markings in A (→GE)

  in FE (→EE)

( ) suggested by the editors
..

Both dynamic indications –  and  – were added in the proofreading of FE (→EE), undoubtedly by Chopin. They can be regarded as a completion of the indications of A, but it also seems possible that one can handle this bar with less contrast, which is suggested by the notation of A (→GE). Therefore, we leave their inclusion to the discretion of the performer. 

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 341

composition: Op. 21, Concerto in F minor, Mvt I

..

Chopin added the  hairpin – together with  – in the proofreading of FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 341-344

composition: Op. 11, Concerto in E minor, Mvt I

Staccato dot in FE

No marks in GE1 (→GE2)

2 wedges in EE & GE3

3 wedges suggested by the editors
..

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Errors in GE , GE revisions , Wedges