b. 463
|
composition: Op. 11, Concerto in E minor, Mvt III category imprint: Differences between sources issues: Errors in GE , GE revisions |
||||||||
b. 464
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The missing dot extending the c1 crotchet is most probably a result of an oversight of the engraver of FE (→EE). category imprint: Differences between sources issues: Inaccuracies in FE |
||||||||
b. 464
|
composition: Op. 16, Rondo in E♭ major
..
The engraver of GE overlooked the staccato dot for E. category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||
b. 464-466
|
composition: Op. 16, Rondo in E♭ major
..
It is hard to state what led to the pedal release mark being placed two bar earlier in EE. It could be a mistake. category imprint: Differences between sources issues: EE revisions , Errors in EE |
||||||||
b. 464
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Both sources give different digits, yet the same fingering, compliant with the one Chopin gave in an analogous passage 2 bars later. A similar compliance between EE and FEH is present in the two remaining places in bars 464-465 provided with fingering. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |