



b. 340-348
|
composition: Op. 31, Scherzo in B♭ minor
..
The crossings-out and additions visible in A in b. 340 & 348 allow us to reconstruct the original version of the passage in these bars: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
||||||||||
b. 340-341
|
composition: Op. 31, Scherzo in B♭ minor
..
In the main text we suggest that the range of the category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , EE inaccuracies |
||||||||||
b. 340
|
composition: Op. 2, Variations, complete
..
The version of A featuring b1 must be Chopin's mistake, which in this case could be explained by score-like thinking – in the voice of the 2nd clarinet implementing the bottom line of the semiquavers, a category imprint: Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of GE , Errors in FESB |
||||||||||
b. 340
|
composition: Op. 2, Variations, complete
..
The omission of the category imprint: Differences between sources issues: GE revisions |
||||||||||
b. 340
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
We consider the A slur, led to the category imprint: Differences between sources issues: Inaccuracies in GE , Errors in GE , |