|
b. 337
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The first out of two long accents, written in this bar in A, was overlooked in the editions, probably due to lack of space resulting from the placement of the Tutti indication between the staves in GE1. The second, excluding accidental changes of long accents to short ones and vice versa, was placed in GE (→FE→EE) in the middle between the staves (and not directly over the crotchet in the L.H.) and in FE (→EE), in addition, it was erroneously moved a quaver earlier. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Errors in GE |
|||||||||||||
|
b. 337
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The slur in EE was most probably added by analogy with the authentic slurs in bars 45 and 47. category imprint: Differences between sources issues: EE revisions |
|||||||||||||
|
b. 337-338
|
composition: Op. 16, Rondo in E♭ major
..
In GE, the tie to F was most probably overlooked by the engraver. category imprint: Differences between sources issues: Errors in GE |
|||||||||||||
|
b. 337
|
composition: Op. 16, Rondo in E♭ major
..
In the main text, we add cautionary flats before e category imprint: Editorial revisions |
|||||||||||||
|
b. 337
|
composition: Op. 16, Rondo in E♭ major
category imprint: Editorial revisions |
2 in bars 337-338, and before b
