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b. 460

composition: Op. 16, Rondo in E♭ major

..

We add a cautionary  before c4 in the main text.

category imprint: Editorial revisions

b. 460

composition: Op. 31, Scherzo in B♭ minor

on 1st beat in A (→FC→GE1, →FE→EE))

on 2nd beat in GE2 (→GE3)
..

Just like in b. 358, moving  to the second beat of the bar is an arbitrary revision of GE2 (→GE3).

category imprint: Differences between sources

issues: GE revisions

b. 461

composition: Op. 16, Rondo in E♭ major

Slur from the 1st note in FE (→GE,EE)

Slur from the 2nd note suggested by the editors
..

The most probable reason why the slur starts earlier than in previous bars is a misreading of [A].

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 461-462

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FEH
..

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 461

composition: Op. 11, Concerto in E minor, Mvt III

Longer slur in #E (→GE1→GE2)

Shorter slur in EE & GE3

Average slur suggested by the editors
..

A comparison with similar motifs suggests that the slur encompassing the entire figure in this bar is probably inaccurate. It was deemed as such already in EE and GE3, which replaced it with a shorter one, probably modelled after the previous bar. In the main text, we give a slur reaching the topmost note of the bar, most frequent in analogous bars in the sources.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions