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b. 452-453

composition: Op. 11, Concerto in E minor, Mvt I

Wedge on E in FE (→EE)

Wedge on B1 in GE

..

Moving the wedge to the beginning of bar 453 is a reasonable revision; however, it shall require that the slur combining the E and B1 ​​​​​​​quavers is correct – see the note below.

category imprint: Differences between sources

issues: GE revisions

b. 452-453

composition: Op. 11, Concerto in E minor, Mvt I

Slur E-B1 in sources

Our suggestion – no slur

..

According to us, the fact of beginning a two-note slur from a note provided with a wedge proves that it is a mistake, hence we omit that slur in the main text; we provide the markings in this bar with a similar form to the one in bars 448-449.

category imprint: Editorial revisions

issues: Errors in FE

b. 452

composition: Op. 16, Rondo in E♭ major

Staccato dot w #Wf (→#Wa)

No mark in GE

..

The lack of a staccato dot over the chord is most probably an oversight by the engraver of GE

category imprint: Differences between sources

issues: Errors in GE

b. 452-453

composition: Op. 11, Concerto in E minor, Mvt III

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 452-457

composition: Op. 31, Scherzo in B♭ minor

No markings in A

Pedalling in FC (→GE1), FE (→EE) & GE3

Pedalling in GE2

..

In the main text we give the concordant pedalling of b. 452-453 and 456-457, entered by Chopin into FC (→GE1) and added by him in the proofreading of FE (→EE). The version of GE2 is an arbitrary revision, making those bars similar to b. 350-351 and 354-355. GE3 restored the version of FC and GE1.

category imprint: Differences between sources

issues: GE revisions , Authentic corrections of FE , Authentic corrections of FC