



b. 311
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composition: Op. 44, Polonaise in F♯ minor
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FE1 lacks both the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , Omission of current key accidentals , FE revisions , Errors repeated in EE |
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b. 311
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composition: Op. 2, Variations, complete
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The wedges, added to the bass crotchets in GE1 certainly by mistake, were strangely consistently repeated by all the remaining editions. The source of the mistake could be the first crotchet stem, to f, which in A does not reach the notehead and therefore could have been considered a wedge. category imprint: Differences between sources issues: Errors in GE , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 311
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composition: Op. 2, Variations, complete
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We add a cautionary category imprint: Editorial revisions |
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b. 311
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composition: Op. 2, Variations, complete
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In A the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 311-315
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composition: Op. 49, Fantaisie in F minor
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In bar 311, 313 and 315 Chopin overlooked in A some necessary accidentals in the final fragments of the R.H. passages, yet due to the fact that the entire fragment was written without an octave sign, the number of missing accidentals is lower than in the previous analogous passages – in bar 311 there are no naturals to the last two quavers; in bar 313 there are no sharps and naturals (5 accidentals in total) in the 2nd half of the bar; in bar 315 there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , FE revisions , Errors repeated in FE |