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b. 427

composition: Op. 11, Concerto in E minor, Mvt I

d2 in FE (→GE) & EE2 (→EE3)

f2 in EE1
..

The version of EE1 seems to be a Terzver­schreibung error, revised by removing the , unnecessary next to f2. However, a transfer of the note could have also been intentional, under the influence of bar 431. Anyways, it was already in EE2 (→EE3) that the authentic d2 was restored.

category imprint: Differences between sources

issues: EE revisions , Terzverschreibung error

b. 427

composition: Op. 11, Concerto in E minor, Mvt I

..

The 1st note in GE1 (→GE2) is an erroneous b​​​​​​​3 due to the misplaced octave sign.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 427

composition: Op. 11, Concerto in E minor, Mvt I

..

On the 2nd and 3rd beats of the bar, there are no accidentals in the R.H. in FE; the  raising G to G​​​​​​​ in the L.H. is also missing. In GE1 (→GE2) and EE, a mark was added in the L.H., whereas in the R.H. sharps were added only in the 2nd group of semiquavers, which was most probably considered sufficient due to the notation of that group with the use of an octave sign, hence at the same pitch as the 3rd group. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions

b. 427

composition: Op. 16, Rondo in E♭ major

..

In the main text, we add a cautionary  before d1, and omit an unfounded accidental before c3.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 427

composition: Op. 31, Scherzo in B♭ minor

..

GE1 (→GE2) overlooked a staccato dot to the L.H. A. The mark was added in GE3.

category imprint: Differences between sources

issues: Errors in GE , GE revisions