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b. 295
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composition: Op. 2, Variations, complete
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The term staccato is already in AsI, added in pencil. It is placed slightly earlier than the indication in A, from the beginning of the bar, which is probably related to the arpeggio starting from the 2nd semiquaver (without a rest) – see the note below. category imprint: Source & stylistic information |
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b. 295
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Main-line changes |
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b. 295-296
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the R.H. part is written on the bottom stave. It is Chopin's oversight – on a new page of A (starting in bar 295), he probably forgot that he wanted to use both staves in this section – cf. the A notation from the middle of bar 292 to bar 294 and then in bars 297-305. Therefore, in our transcriptions we separate the parts of both hands in accordance with the way the remaining part of this theme was written down. This was already done in GE (→FE,EE,IE). category imprint: Source & stylistic information |
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b. 296-306
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composition: Op. 39, Scherzo in C♯ minor
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In GC (→GE) the slurs end in bars 298 and 306, respectively. For our main text we take the consistent slurring of EE and FE which we consider more grounded in the sources and more justified from the musical point of view. category imprint: Differences between sources issues: Inaccuracies in GC |
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b. 296
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composition: Op. 39, Scherzo in C♯ minor
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GC has the flat before the chord placed at the height of d category imprint: Source & stylistic information issues: Accidental below/above the note , Inaccuracies in GC |
1. We can come across similar inaccuracies in Chopin's own manuscripts as well.