Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 429

composition: Op. 11, Concerto in E minor, Mvt I

..

GE1 (→GE2) overlooked the rest after the 1st quaver. The mistake was corrected in GE3.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions

b. 429

composition: Op. 11, Concerto in E minor, Mvt I

..

We include the cautionary  before b2, added in GE and EE2 (→EE3), in the main text. A respective sign in the L.H., before b1, is present in all sources. 

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals

b. 429-430

composition: Op. 16, Rondo in E♭ major

b1 tied in FE (→EE)

Slur in GE

..

The engraver of GE placed here an erroneous slur instead of the tie of b​​​​​​​1.

category imprint: Differences between sources

issues: Errors in GE

b. 429

composition: Op. 11, Concerto in E minor, Mvt III

b in FE (→EE) & GE3

d1 in GE1 (→GE2)

..

The version of GE1 (→GE2), distorting the sequence of bass (implemented by cellos and double basses), must be erroneous. However, the traces of proofreading visible in FE prove that it was the engraver of this edition that committed a mistake, yet in GE1 the note was revised by adding an admittedly overlooked ​​​​​​​, while in FE (→EE) it was moved to the right pitch. The correct version was introduced also in GE3.

category imprint: Differences between sources

issues: Terzverschreibung error , GE revisions , Authentic corrections of FE , Errors repeated in GE

b. 429

composition: Op. 16, Rondo in E♭ major

..

We add a cautionary  before d3 in the main text.

category imprint: Editorial revisions