mUltimate Chopin

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b. 297

composition: (Op. 4), Sonata in C minor, Mvt IV

Short accent in A (→GE→EE,IE)

No mark in FE

Long accent suggested by the editors
..

In A the accent is shorter than the similar marks in analogous bar 293, 305 and even 309. However, if we take into account the similarity of the rhythmic and harmonic context, this comparison proves that it is also in the discussed bar that Chopin almost certainly meant a long accent.
The missing mark in FE is most probably due to the engraver's oversight.

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Long accents , Errors in FE

b. 298

composition: Op. 21, Concerto in F minor, Mvt I

..

There is an erroneous  before the 1st semiquaver in the L.H. in the 2nd half of the bar in FE1. The mistake was corrected already in FE2. It is probably a revision, although Chopin's participation cannot be excluded. 

category imprint: Differences between sources

issues: Errors in FE , Authentic corrections of FE

b. 298

composition: Op. 21, Concerto in F minor, Mvt III

Wedge in A

Dot in GE1 (→FE)

Dots in EE & GE2
..

Reproducing the wedge over d1 as a dot must be an inaccuracy of GE (→FE→EE). In turn, the dot for the L.H., added in EE and GE2, is a revision of the editors.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , GE revisions

b. 298

composition: Op. 21, Concerto in F minor, Mvt III

..

We add cautionary flats before d and d1 in the main text.

category imprint: Editorial revisions

b. 298

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH