Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 2, Variations, complete
In bars 295-301 (and previously in bar 293) Chopin added a number of articulatory and dynamic markings and fingerings in #ApI:
- hairpin
in bars 293, 295 and 301, - pairs of hairpins
in bars 298-300, - verbal indications, staccato in bar 295 and legato in bar 296,
- R.H. slurs in bars 296, 297-298,
- L.H. slur in bar 296,
- wedges in bars 296, 297-298,
- fingering in bars 298-301.
Most of them were then used in A, sometimes in a modified form, but Chopin omitted some ( in bar 293) or replaced them with clearly different ones (legato and R.H. slur in bar 296).
Among the pencil annotations in these bars there is also a correction of the note pitch – the last semiquaver on the 2nd beat has been changed from c3 to d3.
Compare the passage in the sources »
category imprint: Source & stylistic information
notation: Verbal indications