



b. 290-291
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composition: Op. 21, Concerto in F minor, Mvt I
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The beginning of the 2nd slur in this bar is unclear. The slur of A is certainly inaccurate in this respect – we assume that Chopin wanted to embrace the entire group of small notes with it, as in analogous bar 142. GE1 interpreted it in a similar way, yet the inaccurately placed slur included also the e category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A , GE revisions |
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b. 290
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 (→FE→EE) the slur was led only to the last semiquaver in the 1st half of the bar, contrary to the clear notation of A. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 290
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing accent is certainly a mistake of GE1 (→FE→EE). The engraver might not have been sure to which note the shifted accent applied (it was one of the ways of marking long accents in Chopin's earlier autographs – cf. bar 230). category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Errors in GE , GE revisions |
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b. 290
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composition: Op. 11, Concerto in E minor, Mvt I
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The version with d category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Terzverschreibung error , GE revisions |
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b. 290
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composition: Op. 11, Concerto in E minor, Mvt I
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The slur, starting later than in the previous bar, seems to be an inaccuracy of notation only. However, the different slurring of analogous bars 304-306 prompts us to be prudent in such evaluations. In GE, the slur was completely omitted, perhaps as a result of doubts concerning its range. category imprint: Differences between sources issues: Errors in GE |