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b. 290-291
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering in this bar is most probably compliant with the Chopinesque one – cf. the authentic fingering in bar 449. category imprint: Differences between sources issues: EE revisions |
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b. 290
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composition: Op. 16, Rondo in E♭ major
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As in bar 274, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals |
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b. 290
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composition: Op. 44, Polonaise in F♯ minor
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Like in b. 57, on the 3rd beat of the bar, in the main text we suggest supplementing the Chopinesque pedalling after analogous b. 31. category imprint: Editorial revisions |
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b. 290
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composition: Op. 44, Polonaise in F♯ minor
..
As was the case with analogous b. 31, the slur of GE, although formally correct, is most probably inaccurate and marks a grace note and an arpeggio (written down as a vertical slur), as was conveyed in FE. The absence of a slur (arpeggio) in EE, whatever the reason, cannot be authentic. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 290
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composition: Op. 44, Polonaise in F♯ minor category imprint: Differences between sources issues: EE revisions , Errors in FE |
raising a
2 to a2 in 
] suggested by the editors
