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b. 412
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composition: Op. 16, Rondo in E♭ major
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The change of accent's length is a very frequent inaccuracy of EE. category imprint: Differences between sources issues: Long accents , EE revisions |
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b. 412
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing dots in GE are most probably an oversight, although it cannot be ruled out that the markings were added in the last proofreading of FE – cf. bar 430. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 412-413
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composition: Op. 16, Rondo in E♭ major category imprint: Differences between sources issues: EE revisions |
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b. 412-435
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composition: Op. 31, Scherzo in B♭ minor
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In A the slurs over the motifs of the bottom voice encompass the quavers only or reach the minim in the next bar. However, the differences are almost certainly of an accidental nature, hence in the main text we unify them, assuming 6-note slurs to be more frequent in A (7 longer, 2 shorter and 3 questionable). Accidental inaccuracies are also present in the remaining sources, except for GE, in which all slurs encompass 5 notes. The majority of the doubts concerning the range of the slurs is due to the ending lines: a slur suggesting continuation is not finished in a new line (b. 418-419 in A and FC, 432-433 in A, 412-413, 420-421 and 428-429 in FE and b. 422-423 in EE). In such situations we give shorter slurs in our transcriptions, just like in b. 426-427 in A and 412-413 in 428-429 in FC, which may be thought to be dubious. EE omitted the slur in b. 420-421. Neither FC nor FE, EE and GE reproduced the notation of the Stichvorlage correctly; however, the total number of inaccuracies in this section is smaller than the first time (b. 310-333). category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in FE , Errors in EE , Inaccurate slurs in A , GE revisions , EE inaccuracies , Inaccuracies in FC , Uncertain slur continuation |
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b. 413-415
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composition: Op. 21, Concerto in F minor, Mvt III
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The fingering of FED in these bars was written most probably by Chopin. The entry at the beginning of bar 414 is not very legible, since one of the two Chopinesque digits (24) was then "enhanced" by the pupil. category imprint: Graphic ambiguousness; Differences between sources |
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