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b. 292

composition: Op. 44, Polonaise in F♯ minor

No mark in FE (→EE) & GE

Arpeggio sign suggested by editors
..

Like in b. 59, in the main text we add an arpeggio on the basis of a comparison with b. 33 and 109.

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category imprint: Editorial revisions

b. 292-293

composition: Op. 2, Variations, complete

Staccato dots in A

Wedges in GE (→FE,EE)
..

As previously, in GE (→FE,EE) the staccato markings were standardised by replacing the dots with wedges. It must be an arbitrary decision of the publisher.

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category imprint: Differences between sources

issues: Inaccuracies in GE , Wedges

b. 292

composition: Op. 49, Fantaisie in F minor

..

In the main text we add cautionary flats to e1 and e2. The L.H. accidental was also added by EE.

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category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 293

composition: Op. 39, Scherzo in C♯ minor

d2 in EE and FE

b1 in GC (→GE)
..

In GC, the 3rd quaver of the L.H. sounds as b1. At the same time we can see in the manuscript that it was corrected from a1. Taking into consideration the regularity of figuration in all the analogous places, it is hard not to treat the version of GC (→GE) as anything more than an error. Cf. the note to bar 294.

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category imprint: Differences between sources

issues: Errors of GC , Alterations in GC

b. 293

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we add a cautionary  before e3.

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category imprint: Editorial revisions