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b. 286
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composition: Op. 21, Concerto in F minor, Mvt III
..
There is a cautionary category imprint: Editorial revisions |
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b. 286
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composition: Op. 11, Concerto in E minor, Mvt I
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Differently than in the previous bar, the extension of the category imprint: Differences between sources issues: Scope of dynamic hairpins , GE revisions |
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b. 286-287
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composition: Op. 16, Rondo in E♭ major category imprint: Source & stylistic information |
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b. 286
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary category imprint: Editorial revisions |
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b. 286
|
composition: Op. 44, Polonaise in F♯ minor
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The absence of the mark in EE1 is most probably an oversight of the engraver, corrected in EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Errors in EE |
before d
1 in the sources, written by Chopin probably in order to avoid a d1 due to b2 in the R.H. and a very frequent use of diminished triads and four-note chords. We omit this sign in the main text, since the d
in 
. After all, a shorter mark does not determine the performance manner – one can consider it a suggestion that the climax should occur slightly earlier to prepare the upcoming 
to a certain extent; however, one can also consider sempre cresc. to be valid until the end of the bar, irrespective of the range of the 
before g in the main text.
