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b. 284

composition: Op. 11, Concerto in E minor, Mvt I

No sign in sources

[] suggested by the editors
..

A comparison with the adjacent bars suggests that the  hairpin was overlooked here by mistake. The reason could have been, e.g. the graphic layout, in which the final semiquavers in the L.H. are written on the upper stave, as a result of which there was simply not enough space to insert a hairpin. In turn, it seems to be unlikely that the reason could have been the presence of cresc., since Chopin considered  marks and cresc. indications independently – cf. e.g. the next bar. Therefore, in the main text, we suggest adding a  hairpin after the adjacent bars (averaging its range).  

category imprint: Editorial revisions

b. 284-286

composition: Op. 11, Concerto in E minor, Mvt I

Wedge in bar 284 in FE (→EE,GE1→GE2)

No mark in GE3

Wedges in bars 284-286 suggested by the editors
..

The absence of the wedge in GE3, purposeful or accidental, indicates the need to authenticate the single mark in FE (→EE,GE1→GE2). Therefore, in the main text, we suggest wedges also in the next two bars, materialising the model's idea Chopin most probably had at the time of inserting the mark in bar 284. An identical piano grip and repeated  marks leave no doubt as to the performance manner of those broken chords, i.e. each time the same.

category imprint: Differences between sources; Editorial revisions

issues: Errors in GE

b. 284-286

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering
..

The entries in FEH, probably performed by the pupil's hand, develop the basic fingering idea contained already in bar 283 – the use of the fingers 2 and 1 on the last two semiquavers of each bar.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 284-285

composition: Op. 16, Rondo in E♭ major

No marks in FE (→GE,EE)

2 accents suggested by the editors
..

In the main text, we suggest adding two accents in the L.H. after analogous bars 132-133.

category imprint: Editorial revisions

b. 284-285

composition: Op. 16, Rondo in E♭ major

Long accents in FE

Different accents in GE

Short accents in EE
..

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE , EE inaccuracies