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b. 380
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composition: Op. 11, Concerto in E minor, Mvt III
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Chopin would use tenuto dashes in exceptional situations only – see the Concerto in F Minor, Op. 21, 2nd mov., bar 18. category imprint: Differences between sources |
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b. 380
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composition: Op. 11, Concerto in E minor, Mvt III
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The traces of proofreading, visible in FE, reveal that the originally printed slur encompassed only the semiquavers in bar 380. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 380-382
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we add cautionary naturals before a in b. 380 and 382 and a category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 381-385
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composition: Op. 21, Concerto in F minor, Mvt III
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The slurs in the L.H., added in EE and GE2 and being a repetition of a respective slur in the R.H., were certainly performed by the revisers. However, their compliance with Chopin's intention is not entirely excluded – see bars 376-377 and 384-385 as well as 385-387 and 387-388. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 381
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composition: Op. 11, Concerto in E minor, Mvt III
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We include the fingering of FEH in the main text, written probably by Chopin and confirmed by the Chopinesque entry in FED. In EE, Fontana gives the same fingering. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
before g
in b. 381. The first natural was added also in 
