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b. 383-384

composition: Op. 39, Scherzo in C♯ minor

Pedalling in EE

No  in GC (→GE)

No pedalling in FE

..

Only in EE there is a pedal up mark at the end of b. 384, this may have been an editorial revision. In FE there are no pedal markings in these bars, which may have been the engraver's omission as there is  in a corresponding bar t. 41.

category imprint: Differences between sources

issues: No pedal release mark

b. 383

composition: Op. 21, Concerto in F minor, Mvt III

..

Same as in analogous bar 39, in the main text we omit the cautionary flats before d1(2) present in the sources.

category imprint: Editorial revisions

issues: Cautionary accidentals , Last key signature sign

b. 383-384

composition: Op. 16, Rondo in E♭ major

..

In FE (→GE), there is no ending of the slur in a new line. It is one of the frequent mistakes of first editions. The continuation of the slur was added by the reviser of EE.

category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information

issues: EE revisions , Inaccuracies in FE , Uncertain slur continuation , Errors repeated in GE

b. 383

composition: Op. 16, Rondo in E♭ major

..

In GE, the engraver added a staccato dot for a​​​​​​​2. It is rather a result of inaccuracy than an intentional revision.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 383-386

composition: Op. 31, Scherzo in B♭ minor

Small notes in A (→FCGE)

Regular font in FE (→EE)

..

Notation with normal font notes is a result of a misunderstanding of A by the engraver of FE (→EE).

category imprint: Differences between sources

issues: Errors in FE