b. 383-384
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composition: Op. 39, Scherzo in C♯ minor
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Only in EE there is a pedal up mark at the end of b. 384, this may have been an editorial revision. In FE there are no pedal markings in these bars, which may have been the engraver's omission as there is in a corresponding bar t. 41. category imprint: Differences between sources issues: No pedal release mark |
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b. 383
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composition: Op. 21, Concerto in F minor, Mvt III
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Same as in analogous bar 39, in the main text we omit the cautionary flats before d1(2) present in the sources. category imprint: Editorial revisions |
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b. 383-384
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composition: Op. 16, Rondo in E♭ major
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In FE (→GE), there is no ending of the slur in a new line. It is one of the frequent mistakes of first editions. The continuation of the slur was added by the reviser of EE. category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information issues: EE revisions , Inaccuracies in FE , Uncertain slur continuation , Errors repeated in GE |
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b. 383
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composition: Op. 16, Rondo in E♭ major
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In GE, the engraver added a staccato dot for a2. It is rather a result of inaccuracy than an intentional revision. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 383-386
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composition: Op. 31, Scherzo in B♭ minor
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Notation with normal font notes is a result of a misunderstanding of A by the engraver of FE (→EE). category imprint: Differences between sources issues: Errors in FE |