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b. 247-248
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composition: Op. 23, Ballade in G minor
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The fourth slur, added by GE and EE, almost certainly resulted from an arbitrary revision, frequently encountered in Chopin's pieces; it consists in 'completing' slurs between the given chords – for example, if, like here, 3 slurs linked two four-note chords, it would be considered a mistake, and the 'missing' slur would be added (cf., e.g. the Mazurka in D, Op. 33 No. 3, b. 8-9 and analog. or in B, Op. 41 No. 2, b. 4-5 and analog.). category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 247-251
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composition: Op. 2, Variations, complete
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The rhythm with semiquavers only present in bars 247, 249 and the 1st half of bar 251 was written in AsI twice – as the earliest version (the initial one written in ink) and the latest one (corrections in pencil). While preparing the version for one piano for print, Chopin opted for dotted rhythms, which we give in the main text. category imprint: Corrections & alterations issues: Dotted or even rhythm |
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b. 247
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composition: Op. 2, Variations, complete
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In AsI, teh text on the lower staff is written in abbreviated form – only the upper notes of the octaves with the marking con 8va. category imprint: Differences between sources issues: Abbreviated octaves' notation |
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b. 247
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composition: Op. 49, Fantaisie in F minor category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
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b. 247-248
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composition: (Op. 4), Sonata in C minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
1 slur in 
instead of A
