|
b. 243
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In FE the last chord has a quaver stem. The absence of rest, required if the chord was shortened, proves that it is a mistake, probably stemming from a misunderstanding at the time of implementing extensive proofreading of pitch and rhythmic values in bars 243-244. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors resulting from corrections |
|||||
|
b. 243
|
composition: Op. 19, Bolero
..
category imprint: Differences between sources issues: EE revisions |
|||||
|
b. 243
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of A |
|||||
|
b. 243
|
composition: Op. 22, Polonaise
..
Just like in b. 223, in the main text we suggest adding an accent at the beginning of this bar after b. 227 and 247. category imprint: Editorial revisions |
|||||
|
b. 243-247
|
composition: Op. 22, Polonaise
..
Just like in b. 223 and 227, the version of EE1 in b. 243 and 247 is probably Chopin's mistake adopted from a proof copy of FE. The natural raising a category imprint: Differences between sources issues: EE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign |
before the 1st crotchet. The patent inadvertence was corrected in 
on the 2nd beat of the bar. It must be a side effect of an inaccurately implemented proofreading of the part of the L.H. encompassing bars 243-244. The mistake was corrected in 
