



b. 242
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composition: Op. 2, Variations, complete
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Neither AsI nor A contains the flats restoring B category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 242-244
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composition: Op. 2, Variations, complete
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In AsI the rhythm on the 2nd quaver in bars 242 and 244 – two semiquavers – in the piano reduction is compliant with the parts of the individual instruments. In A (→GE→FE,EE,FESB) Chopin replaced the semiquavers with dotted rhythms; however, he left the orchestral part unchanged. The change is undoubtedly final. category imprint: Differences between sources; Corrections & alterations issues: Dotted or even rhythm |
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b. 242-247
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composition: Op. 2, Variations, complete
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At the beginning of bars 242, 244 and 247 some – in bar 244 all – sources omit the wedges over the 1st L.H. octave. These are the engravers' mistakes or Chopin's oversight. We provide all 3 marks in the main text. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Errors in GE |
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b. 242
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composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 242-243
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |