mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 242

composition: Op. 43, Tarantella

..

In GE1 there is no  lowering c2 to c2 in RH.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 242

composition: Op. 43, Tarantella

..

In GE1 there is no  lowering  f2 to f2 in RH.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 242

composition: Op. 43, Tarantella

 
 
..

In GE4 F instead of G is the fourth quaver in LH.

In EE there is redundunt  before G.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in GE

b. 242

composition: Op. 43, Tarantella

..

In EE and GE there is redundant  before the last quaver f in LH.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 242

composition: Op. 35, Sonata in B♭ minor, Mvt II

No sharps in GC (→GE) & FE1 (→FE2→EE1)

Sharps in FE3 (→FE4) & EE2
..

Same as in bar 54, we include in the main text the sharps raising the f1-f2 grace note to f1-f2, added – most probably by Chopin – in the proofreading of FE3 (→FE4). The change was introduced also in EE2.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , Omission of current key accidentals , Authentic corrections of FE , Errors of GC