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b. 360-368

composition: Op. 16, Rondo in E♭ major

after 4th quaver in FE (→EE)

on 4th quaver in GE
..

In GE,  is under the 4th quaver. It is an inaccuracy resulting from an inept layout of text – the last quaver is placed next to the bar line. There is a similar situation in bar 364 and 368 although in the latter the inaccurate placing of the marking cannot be explained by the layout. See also bars 384-385.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 360

composition: Op. 16, Rondo in E♭ major

No indications in FE (→GE,EE1)

dolce in EE2 (→EE3)
..

category imprint: Differences between sources

issues: EE revisions

b. 360

composition: Op. 11, Concerto in E minor, Mvt III

..

The notation of accidentals in FE is inaccurate – naturals are missing before the first d1 and before d3 and g2 in the last triplet, whereas the superfluous ​​​​​​​ was placed before b1 in the 2nd half of the bar. In the remaining editions, all necessary accidentals were added, while EE also removed the superfluous ones.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals

b. 360

composition: Op. 11, Concerto in E minor, Mvt III

No mark in FE (→EE,GE1→GE2)

Accent in GE3

Same accent suggested by the editors
..

We suggest adding an accent on the 4th quaver in the bar on the basis of a comparison with analogous bar 368. Accentuating thirds gives passages a virtuoso touch and refers to the characteristic rhythm of krakowiak . The accent was added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 360

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

The fingerings of EE and FEH are certainly compliant. There is a similar situation in analogous bar 368. It does not guarantee their authenticity, although in this context one can be almost certain that it is actually a Chopinesque fingering.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH