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b. 241-242

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering added in FEH to the printed Chopinesque indications complements and generalises them.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 241

composition: Op. 16, Rondo in E♭ major

..

category imprint: Editorial revisions

b. 241-245

composition: Op. 31, Scherzo in B♭ minor

No indication in A

cresc. - - - in FC, FE (→EE) & GE2 (→GE3)

cresc.in GE1
..

Chopin added five-bar crescendi both in FC (→GE; in GE1 without dashes) and the proofreading of FE (→EE), which we take into account in the main text. It is noteworthy that the additions are fully compatible unlike for the first time (b. 109-116), when they differed in the range of the indication. See also b. 246-249.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE , Authentic corrections of FC

b. 241-245

composition: Op. 22, Polonaise

..

Just like in b. 225, FE are lacking in the  lowering c2 to c2. The patent inaccuracy was corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 241

composition: Op. 22, Polonaise

..

There is no  before the  mark at the end of the 1st half of the bar in FE. It may be a result of a misunderstanding related to the abridged notation of b. 241-260 in [A]. The mark was added in GE and EE.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors in FE , GE revisions